SKU: 79137435730
jessica mcclintock dresses vintage

jessica mcclintock dresses vintage VINTAGE GUNNE SAX JESSICA MCCLINTOCK LACE APPLIQUE SATIN AND ORGANZA D – Vintage Clothing & Fashions

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Description

jessica mcclintock dresses vintage VINTAGE GUNNE SAX JESSICA MCCLINTOCK LACE APPLIQUE SATIN AND ORGANZA D – Vintage Clothing & FashionsThe following information is from the Vintage Fashion Guild label resource site and my thanks to them: "Gunne Sax was a small dress manufacturing company in San Francisco in 1969 when Jessica McClintock invested in the company and became the designer. The company became known for their nostalgic granny dresses and soon the look expanded into prairie dresses and Victorian and Edwardian inspired designs in the 1970s and into the early 1980s. In the

The following information is from the Vintage Fashion Guild label resource site and my thanks to them:

"Gunne Sax was a small dress manufacturing company in San Francisco in 1969 when Jessica McClintock invested in the company and became the designer. The company became known for their nostalgic “granny dresses” and soon the look expanded into prairie dresses and Victorian and Edwardian inspired designs in the 1970s and into the early 1980s.

In the 1980s Jessica added southern belle dresses and twenties-inspired dresses. Gunne Sax was a junior line and in the 1980s McClintock added a misses line, Scott McClintock and a more expensive upscale line, Jessica McClintock.

By the end of the 1980s, Gunne Sax became mainly a company that made prom and party dresses that were influenced by the trends of the day. The company is now called Jessica McClintock, Inc.

A beautiful lace, organza and satin dress by Jessica McClintock Gunne Sax in pale ivory.

Huge collar trimmed with a large applique surrounding it with satin bands on the organza.  Dropped waist.   Scalloped lace on the ends of the sleeves as well as the hemline of the dress.  Back zipper.

Perfect for an afternoon tea party, a date for a special event, an informal wedding, a cruise or a garden party!

By: Jessica McClintock Gunne Sax
Size: 9 but go by the measurements for a good fit as sizes changed in the '70s and are not equivalent to today's fashion sizes

Size: Go by the measurements for a good fit.  Measure a dress that you own and make sure that it is close to the following measurements so it will fit you.
Approximate Measurements – This means the measurements of the item listed – NOT of your own figure. You must be a few inches smaller than the measurements shown

Bust: 34  stretched tight
Shoulder to shoulder:  15
Sleeves from neck to end of sleeve:  31
Waist:  30
Length: 49 - 50
Fabric: Poly Satin and organza - Lining is acetate
Care: Professionally dry clean
Condition:  Very good - looks as though it may not have ever been worn

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All photos and text are copyrighted with the Library of Congress and the sole property of Midnight Glamour and cannot be duplicated or copied in any manner and you will be prosecuted if used.

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Care Instructions

We examine each item carefully and note any imperfections, but unless an item is said to be new, please don't expect it to be perfect & even some new items have small imperfections. I will always state in the description if there are any imperfections & I never do repairs but leave them to others who are better able to do them than me as that is not my expertise.

Please remember that unless specified all items have been used and will show varying signs of use or wear. We always list the obvious imperfections to the best of our abilities. However, some slight imperfections that will not show or affect wearing or using the item may slip by or not be considered worth mentioning.

Vintage nightgowns & peignoirs may be delicate so I do not wash them in the machine. I wash them in lukewarm water with Woolite or some other mild soap, then rinse & hang dripping wet in the shower.

Since these are vintage items, a bit of extra care needs to be taken with them so they remain beautiful & I definitely would never put a vintage nightgown or a peignoir in the dryer as it would ruin it.

The items are sold as we find them. We do not dry clean, launder, alter or repair vintage clothing and they should be cleaned or washed upon arrival. Please make your selection carefully & check the measurements. We hope you enjoy what you purchased but we know sometimes things do not fit quite as you would like or the color is wrong.  In that case, we do allow one exchange or a store credit on any item that you want. There are about 2,000 items in the store and more are being added all the time so you have a large selection to choose from.

You must email before returning an item so I can give you the information that you need to exchange the item.

International customer have 14 days to contact Midnight Glamour about returning an item if they should want to.  International customers may have to pay be additional customs and import taxes and there maybe unforeseen customs delays. The seller is not responsible for these delays nor for the custom charges as that is the international customer's obligation when purchasing an item outside your country.

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Exchange/Return Notes
  • We offer a 30-day return/exchange service after receiving.
  • Final sale items are not eligible for returns or exchanges.
  • To process your return/exchange, please contact us at [email protected]
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SKU: 79137435730

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John Keller
Chelsea, US
★★★★★ 5
Don’t be intimidated...it's detailed, but systematic and rational
Format: Paperback
Don’t be intimidated by this 700-page tome. Once you factor in the bibliography, index and footnotes, the body of the work is only about 400 pages. Licona includes an all-important, detailed outline for quick reference back to key topics, and it’s valuable because of the variety of issues he tackles. I’d say, he does a wonderful job of giving us an objective, systematic approach to addressing the historicity of the events following Jesus’ crucifixion. Licona lays the groundwork for his examination of the issue by considering the philosophy of history and tackling things like what is truth, what makes something a historical fact, who has the burden of proof, and is history a science? As a needed addition to this philosophical introduction, he spends time outlining the methods he will use to approaching relevant texts, claims of miracles, and consensus facts. Most important, I think, to his methods was his self-examination of potential bias due to personal belief and worldview. He addresses what he calls a personal “horizon” that historians must be set aside in order to be objective and get at the truth. He certainly points it out in others along the way and makes it clear throughout the book that he is trying to identify and eliminate any potential bias he may bring to the process. In his investigation, he addresses the most important sources related to Jesus’ life, crucifixion and claims of the resurrection. He deals with both Christian and non-Christian sources that were written immediately following the events as well as within the following 200 years. Licona makes the case for authenticity and credibility of the most important sources, and where there have been challenges to these sources over the centuries, he addresses those challenges head on. Ultimately, he boils the events, claims, facts and sources down to what he calls the “bedrock” pertaining to the fate of Jesus. This bedrock consists of three facts that are well supported by authentic, textual evidence which enjoy nearly consensus support by all historians (both Christian and non-Christian). For Licona, the bedrock which need be answered are (1) Jesus’ death by crucifixion, (2) the claims Jesus appeared to individuals and groups following his burial, and (3) the conversion of the Church persecutor, Paul. Ultimately, Licona breaks down six different hypotheses which claim to explain the bedrock and he uses systematic criteria for weighing those hypotheses. He concludes that a resurrection is the best explanation but admits that it’s only by setting aside a naturalistic worldview that one can embrace the conclusion. I like Licona’s methodical approach but would offer two critiques. Do we really need all the Greek citations written out? I understand that there is nuance and variations in meaning for words that are used in the original sources, but to give us all the text and the translation seemed superfluous. Second, I think it was a cop-out to skim the importance of the empty tomb. Other historians put the fact of the empty tomb as one of their top facts to be explained, but Licona punted on it because he didn’t feel it received universal consensus. Consensus aside, the fact of the empty tomb does receive support by a strong majority of scholars, even ones that do not support the resurrection. This cross-section of scholarly support, along with the volume and type of textural evidence, namely the confirmation by Christian enemies, should have elevated the fact of the empty tomb to the “bedrock” which require explanation.
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Reviewed in the United States on April 12, 2021
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Elly
Port Orchard, US
★★★★★ 5
so helpful
Format: Paperback
got for school and used it a lot its been so helpful
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Reviewed in the United States on February 3, 2026
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E
Omaha, US
★★★★★ 5
Great price...
Format: Paperback
Needed this for my EKG course. Price was right.
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Reviewed in the United States on February 1, 2026
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LUCIOUS
Houston, US
★★★★★ 5
Satisfied
Format: Paperback, Format: Paperback
Brand new got here on time, haven’t got to indulge in the content yet but definitely exactly what I ordered.
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Reviewed in the United States on May 10, 2025
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Breanna Geyer
Cuba, US
★★★★★ 5
EKGs are difficult and I still don’t understand
Format: Paperback
Hey I’m in nursing school and I bought this… it’s not the pocket size, it’s actually a full size book. It brought tears to my eyes many times. I have no idea what a 3rd degree block is. Hopefully you can learn and be a good nurse! EKGs are for the doctors to read. So don’t be too hard on yourself. But you should probably know what normal sinus rhythm looks like… 👍🏼
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Reviewed in the United States on January 22, 2024

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